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Five of the best… new films in the UK

Son of Saul © Everett/REX/Shutterstock Son of Saul

1: Son Of Saul (15)

(László Nemes, 2015, Hun) 107 mins

This year’s foreign language Oscar-winner, and a film almost too devastating for casual consumption. The subject is the Holocaust, as experienced by a Jewish prisoner assisting the Nazis in the extermination of his fellow inmates – a job as grim and conflicting as it sounds. By keeping tightly focused on his subject (a magnetically stricken Géza Röhrig), Nemes succeeds in communicating a horror too great to capture in its entirety.

2: Captain America: Civil War (12A)

(Anthony & Joe Russo, 2016, US) 147 mins

Plenty of superhero bang for your buck as Marvel orchestrates its own internal bust-up by putting Chris Evans’s Captain and Robert Downey Jr’s Iron Man on opposing sides of the UN’s wing-clipping superhero charter, and recruiting a Top Trumps of comic-book characters to fight alongside them.

3: Heaven Knows What (18)

(Ben & Joshua Safdie, 2014, US) 97 mins

From an entirely different rail network to Trainspotting comes a visceral junkie drama centred on a damaged, homeless New York woman (played with conviction by Arielle Holmes, whose biography serves as inspiration for the story) who is addicted to love as much as heroin. It’s a tale told with almost reckless intensity – intimate and unflinching, but artfully made, too.

4: The Jungle Book (PG)

(Jon Favreau, 2016, US) 106 mins

Disney polishes up another of its jewels for a new generation, with uncannily realistic CGI animals and a fresh cast of voice actors to bring them to life (Bill Murray, Idris Elba, Ben Kingsley, Lupita Nyong’o). The story is a different take on Kipling’s source writings – less the carefree, swinging Mowgli tale of old; more a heartfelt man-cub adventure with an up-to-date eco-conscience.

5: Arabian Nights Volume 2: The Desolate One (15)

(Miguel Gomes, 2015, Por/Fra/Ger/Swi) 132 mins

Part two of Gomes’s epic trilogy, stringing together a series of fantastical fables grounded in Portugal’s current economic plight. This section includes a farcical court case in which everybody is guilty, including a genie and a talking cow. At times playfully absurd, at others it’s poignantly down-to-earth.

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